Thirst is out!

It’s official: Thirst is published and out in the wild!

Actually, it’s been out for about a fortnight now. I’ve only just managed to find time to throw a blog post together. It’s been a frantic couple of weeks.

Since time’s still pretty tight, I’m going to cheat and allow photos to do most of the talking. So without further ado, here are a few pics from Thirst‘s launch night at Nottingham’s favourite indie bookshop, Five Leaves.

Needless to say, it was magical to have family, friends and book folk together in one place to celebrate. And since that delicious night, I’ve been signing books in shops; talking Thirst, folklore and river-hags in schools and at festivals; and popping up here and there for interviews (here are some from Teen Librarian, United by Pop and Nottingham’s legendary Left Lion).

Early reviews have been grand so far, with lots of readers commenting on how creepy Thirst genuinely is, on how much it’ll appeal to teens, and on how it’s a perfect autumn read as spooky season draws in. Many readers are picking up not only on its themes of choice and sacrifice, but also on how these themes relate to our contemporary lives.

Which is nice.

If you fancy dipping into a some reviews to get an idea of what Thirst‘s all about, you could do worse than start with these pieces from ReadingZone and Books for Keeps. Reviews are also still coming in on NetGalley and across the internet, and I’m particularly chuffed with the very kind words I received from adult folk horror novelist Jodie Matthews. If you’d like to treat yourself to a copy of Thirst, don’t let me stop you.

Here’s a slideshow of pics from various post-launch activities for you to flick through – sadly free of explanations, because Life’s Too Short.

I’m going to be running around like the proverbial chicken over the next month or so, as there’s still plenty of Thirst-malarkey to come. But if you’d like to catch me on my travels, I’ll be at Lincoln Book Festival on 4 October. You can find details and book your place here. It’s free, so come say hi!

One final note. If you’re a teacher or librarian and are planning to get Thirst for your classroom or library, let me know and I’ll post you a signed bookplate, Thirst bookmark and some promotional wild seeds to go with your copy. Because you deserve it.

Tara for now,
Darren

New novel! Brace yourself for Thirst

It’s been almost three years since my last blog post. Blimey. That’s a hamster’s lifetime. But for all the tumbleweed, you can rest assured I’ve been busy with events and new projects. Full disclosure: not every project has worked out. But that’s something I’ve learned to accept. As I’ve told many a budding young author: failure is important. Failure is useful. And in that sense, it’s never truly failure; more a stepping stone on the path to success.

And on the subject of success, I’m chuffed to say I have not one but two new books on the way. One of them is an incredibly special collaboration with illustrator Keith Robinson. I can’t say much about that just yet, but watch this space. The other book is something you may have seen on my socials:

Not too shabby, eh? This gorgeously creepy cover was illustrated by Natalie Smillie (who’s been an incredible artist and champion of the book) and animated by Tom Martland (more on Team Pushkin below).

So what’s Thirst about? Here’s the blurb:

Nobody talks about the strange happenings in Maimsbury. No one speaks of the hooded figures glimpsed in the woods, nor the children’s game that went so horribly wrong. But most of all, nobody dares whisper their doubts about the river they have worshipped for centuries.

Like everyone in Maimsbury, Gorse is used to the sacrifices made every spring to the River Yeelde. The life of a farm animal – in return for a year of plenty – seems a fair trade. That is, until a tragedy leads Gorse to a blood-curdling discovery.

Because this year is a Brim Year, and after giving so much, the river needs more than an animal’s life to sate its thirst…

Thirst is a folk horror novel aimed at teens, though YA and adult readers will find much to enjoy too. It’s dark, creepy and tense, though free of the sex, drugs and so on you’ll often find in YA. My publisher, Pushkin Press, feels Thirst will cater for the somewhat neglected teen readership that’s too old for middle grade but too young for YA. I really love the idea of this. 12+ is an age at which many young readers give up on books, so I’m keen to offer something that’ll keep them picking up novels. All the better odds of becoming lifelong readers. Wouldn’t that be something?

Thirst was announced with a cover reveal on 12 May and life’s been hectic ever since, thanks largely to mad dashes across London and the Midlands to hand-deliver early proofs to booksellers and librarians.

I’ve had great feedback from booksellers, who are particularly enthused by the aforementioned targeting of teen readers, and by Thirst‘s throwback to classic folky fiction in the vein of Alan Garner and Susan Cooper.

Thirst proofs have also been finding their way to bloggers and authors, and early responses have been grand.

You can find a couple of early full reviews at Beth’s Bookcase and the World’s Smallest Library. I’ve got to say, it’s quite pleasing – as an author who’s having their first go at the outright creepy – to see readers shocked and delighted by how dark Thirst gets. Mission accomplished.

I’ll end this post with a shout-out to my new publisher, Pushkin Press. I’m hugely indebted to Pushkin Children’s Editor at Large, Sarah Odedina, for taking Thirst on and for being a joy to work with during every stage of editing. The entire team at Pushkin have been so enthusiastic and attentive, and I think I’ve found a wonderful home for what I do. I’m feeling very blessed while typing these words.

As I mentioned before, there’s no such thing as failure. That’s something I’ve truly come to believe over the last few months. There are only steps – whether they look like failure or not – towards eventual success. So whatever you’re doing and however it’s going: believe, be kind to yourself, and persevere.

Much love,
Darren

The Adoring Dentist

Trick or treat?

If you fancy the latter, here’s a horror story I wrote that was recently published in the World Goedam Collection produced by South Korea’s Bucheon International Fantastic Film Festival. Do check out the entire collection for “goedam” (i.e. strange, scary tales) written by authors across UNESCO’s Cities of Literature.

The Adoring Dentist

‘I love you,’ he said.

‘I luh yoo oo,’ she drooled.

The drill began to wail, and darkness took her in.

#

Eliza came slowly around. Consciousness began as a vague throbbing in her head, which bloomed gradually into an ache in her mouth. The ache gained fire as it crept across her face, forcing her to open her eyes. Light flooded in and a silhouette hovered in the glare. It leaned in close – her husband. He smiled gently.

She tried to speak but could only gargle.

‘Sshh,’ he said. ‘Don’t speak.’

Eliza took in the room. It looked familiar.

‘It’s okay,’ he said. ‘You’re home.’ He brushed a knuckle along her temple. ‘The propofol had you out cold. I had to carry you to the car.’

‘Ngh,’ said Eliza.

‘Don’t speak,’ he repeated, his cheek twitching. ‘You’ll hurt yourself. Here, look.’ He left the edge of the bed and returned with a bunch of chrysanthemums and lilies. ‘Happy anniversary, Eliza. Ten impeccable years.’ He leaned forward to kiss her forehead.

The stench of lilies turned Eliza’s stomach. ‘Hrrrm,’ she breathed. A string of red saliva pooled on the collar of her nightgown.

‘Would you like to see your anniversary present?’ Her husband put the flowers into a waiting vase and adjusted them carefully before returning to his wife. ‘Here.’ He took her elbow to helped her out of bed.

He guided her down the stairs, kissing the side of her head as they went. Holding her by the shoulders, he eased her around the corner and into the bathroom.

Eliza peered into the mirror and screamed. Stabs of metallic agony cut into her gums. The face in the mirror screamed back, its huge eyes welling above a mangled mess of mouth. Steel rods protruded from her face, fastened by pins and screws to form a glistening cage around the shrieking wound. The more Eliza screamed, the more it hurt; and the more it hurt, the more it bled. Chunks of scab cracked and fell away, followed by the blood that flooded her mouth and spilled onto tiles.

Eliza flailed her fists against her husband while he pulled her out of the room, his expression stoic, motionless, calm. Eliza could only sob while he carried her up the stairs, just as he’d done on their wedding day, ten beautiful years ago.

#

Three months later, Eliza and her husband were brushing their teeth. He put his palm to the small of her back as they brushed. Eliza leaned away to spit into the sink. She looked with some dismay at the red dashes streaking the foam and – after tonguing her teeth – spat out a gristly clot of blood.

Her husband’s spit joined her own in the sink. ‘It’s okay,’ he said. ‘It’s still healing. It’ll take time.’

‘How much longer, though? It’s still so sore.’

‘Keep using the benzydamine. And ibuprofen.’

‘It’s not just the pain. It’s the blood. It just starts coming randomly. People stare at me in the street and I realise my chin’s covered in blood.’

Her husband rinsed his brush under the tap. ‘It was an extensive procedure. You can’t have all your teeth removed and replaced without some inconvenience afterwards.’

‘I know that. I know’

He tapped his finger against his lips, silent for a moment. ‘Do you regret it?’ he finally asked.

‘Oh god no, of course not!’ Eliza took his hand, kissed his cheek. ‘They’re wonderful. I’d never go back.’ She exposed her teeth to the mirror. ‘You know how much I hated my teeth after the accident. I think you were right – about them being bad for…for the way I felt. About myself. I didn’t think I’d ever get over that crash. But these are perfect. I’m feeling better already. I mean, just look at them. You’d never know they were false.’

‘They’re the best money can buy.’

‘I can see that. And I’m sorry I didn’t have more faith in you when you offered to do this. Thank you for always encouraging me – even when I got so anxious about the procedure. You always know what’s best for me. This is so much more than a new set of teeth.’ Eliza beamed at her reflection. ‘I know I grumble about the pain, but I do love them. I feel like a new person. I don’t avoid catching myself in mirrors anymore. I feel like…like I’ve got myself back.’

Without warning, her husband slipped his finger into her mouth and probed her teeth. ‘I think they’re exquisite.’ His finger tasted of disinfectant.

‘They are,’ said Eliza, mumbling around his finger and wincing with pain.

#

They sent her to the grave, in the end

It started – about three years later – with a plunger. Or more specifically, without a plunger. The bath’s plughole was blocked. Eliza was certain she’d find the plunger in the cupboard beneath the kitchen sink, but it wasn’t there. It wasn’t under the stairs or with the toolbox either. But she’d seen it somewhere around the house – and recently, too.

She ended up in the garage, moving heavy boxes and sifting through household debris. She could easily have gone out to buy a new plunger, but instead she heaved and muttered, sweated and cursed. She knew the plunger was somewhere, and she was determined to find it.

She never found the plunger. Instead, she found an unfamiliar satchel, tucked into the bottom of a box beneath some musty bin bags. She didn’t recognise the satchel at all, so she dragged it out and peered inside.

Its contents were spread over the coffee table when her husband got home. He looked astonished when he came in from the hallway and saw them there.

Eliza grinned. ‘I didn’t know you had all this uni stuff! Just look at these photos!” She giggled. “You were as handsome then as you are now.’

Her husband cleared his throat, put down his bag and sat beside her. ‘Where did you find these?’

‘In the garage. Just look at you there. My, my. And all these pretty girls – the way this one’s looking at you! Always the charmer.’

‘Hmm.’ Her husband was frowning.

‘And I can’t get over this yearbook. I didn’t think English universities did this. More of an American thing, isn’t it?’

‘Five years is a long time to spend with friends at dental school, Eliza. You want something to remember them by.’

‘Then why leave it all to rot in the garage? This is wonderful!’ Eliza laughed. ‘Just look at the state of those clothes! They looked good at the time, I suppose.’

‘I suppose,’ echoed her husband. He took a deep breath before smiling at his wife. ‘What’s for dinner?’

#

Eliza stashed the satchel and its contents away after that, in the cabinet with their photo albums.

It took a few weeks for her to notice the dread. It crept up on her with dark stealth, flitting between the shadows of her mind. As time went by, she found it harder to brush aside – to account it to the weather, to tiredness, to one of those days. She began to get the feeling that she was slipping back, somehow; losing something she’d gained, although she couldn’t tell exactly what.

The dread took firm hold when Eliza realised she was avoiding mirrors again. After three years of a contentment she’d just started to take for granted, she was back to fearing her teeth.

It took courage to confront them. Courage and a stiff drink. Eventually, Eliza stepped into the bathroom and looked squarely into the mirror. Slowly, laboriously, she pulled back her lips. Her teeth shone immaculately at her and the dread became a deep but subtle terror. Eliza burst into tears and ran from the room.

The fear grew with each passing day, but she couldn’t put a finger on its cause. She tried to ignore it – or at least to hide it – but it must have shown, for her husband occasionally asked what was wrong. She always insisted she was fine. She insisted again and again, as if she could convince herself too. But she wasn’t fine at all, and the fear continued to fester.

In her dreams, she’d get out of bed and go to the kitchen. She’d take the pliers from the toolbox, carry them to the bathroom and try to remove her teeth. But they wouldn’t come out. She’d wail and blubber as she pulled, but the more she heaved, the more the teeth burrowed into her gums. She’d give up and gape into the bathroom mirror, horrified by the bulges that moved beneath her skin. Her teeth tunnelled up the length her face, carving tissue as they went.

In later dreams, she was able to pull out her teeth and spit them into the sink. She’d gaze at the blood-streaked porcelain and notice that her teeth were twitching, twinkling like pearls on red silk. Her mouth, ragged and raw, would hang open as the teeth grew needles for legs – as they scuttled out of the sink and up her paralysed thighs.

#

The dreams finally led to revelation.

One night, the teeth in Eliza’s dream didn’t head up her nightgown. Instead, they paraded out of the bathroom like a line of enamel ants. Eliza followed them through the hallway and into the living room. She switched on the light and saw them heading for the cabinet.

Eliza woke suddenly, knowing without doubt that the root of her fear lay sealed within her husband’s satchel.

#

As soon as her husband headed to work the next morning, Eliza went to the cabinet. But the satchel was gone. It may have been months since she’d put it there, but Eliza knew for a fact that she’d never removed it.

She was soon opening every drawer and cupboard in the house, overturning every surface, probing every nook and cranny. Four hours had passed without any hint of a satchel, but still she hunted.

Late that afternoon, Eliza emerged from the garden shed filthy, tired, triumphant. She clutched her husband’s satchel in her hands. It had been sealed in a plastic bag and buried at the bottom of a bucket of gravel, which had been stored beneath of a pile of heavy boxes in the furthest corner of the shed.

Eliza staggered into the kitchen, fell to her knees and let the photos spill across the floor. Her eyes scanned the scattered pictures, almost too frightened to focus. But she soon found the photo that confirmed everything she feared.

An hour later, Eliza returned to the shed to fetch a shovel, and dusk found her digging up the grave of Berenice Clemm.

Getting Berenice’s name had been easy; she had an entry in the yearbook, and was sat close to her husband in at least a couple of photos. Eliza saw again how Berenice looked at her husband, and noticed – with a pang in her chest she’d ignored before – the way her husband looked back.

Discovering Berenice’s location had taken a little longer – an hour of googling. And when Eliza discovered that Berenice resided in a cemetery and not a home, she moaned and wept and mashed her fists against her gums.

Eliza wept as she dug. She hadn’t stopped crying since she’d started the three-hour drive to the cemetery. Her sobs were broken by coughs that sent red mist from her battered mouth.

The sky darkened. It began to rain.

Eliza’s shovel finally found wood, and she scraped mud away to reveal the coffin. It took the last of her strength to smash through its lid.

Dropping once more to her knees, Eliza pulled away the splintered wood. After yanking a large chunk away, she saw the skeletal face of Berenice Clemm.

Eliza barely noticed the hollow eye sockets or the shrunken cheeks. Her gaze was fixed on Beatrice’s grin.

Not a tooth remained in those withered gums.

Furthermoor’s launch – a fortnight of frenzy

Furthermoor is officially out!

Photo by Emma Baxter

Well, actually it came out on 3rd March. But I’ve only just scrabbled together enough time and energy to sit down and write this post. 3rd March was World Book Day, you see. This means I was running around like a caffeinated chicken not only for Furthermoor‘s launch events, but also for World Book Day events, which tend to take place on and around The Big Day itself. As a result, I had an intense but giddy fortnight of bookish malarkey.

But let’s get back to Furthermoor, the release of which was accompanied by a blog tour hosted by some wonderful bloggers.

Do visit these bloggers’ Twitter accounts, as you’ll find links there to their websites, where in turn you’ll find Furthermoor reviews, extracts and articles, along with a whole other slew of book-themed goodness.

I had the honour of being interviewed for Furthermoor‘s virtual launch party by the librarian-legend that is Alison Brumwell, and we had good times talking books and answering viewers’ questions. It was an very emotional night, topped off beautifully by flowers and a surprise Furthermoor cake from my wife and sons. Am I blessed or what!

And I’m chuffed to report that – thus far, at least – Furthermoor has been very well received. It was Blackwell’s Children’s Book of the Month (I kid you not – you can find the evidence here), a Waterstones best book for teens and young adults, a LoveReading4Kids Book of the Month, and a Peters Book of the Week. Blimey.

Here are a few snippets from early reviews:

‘Simpson is a compelling writer, his prose clear and muscular. He is acutely aware of generational behaviours, and of the cycle of deprivation that locks people into delinquency. He also has a marvellous sense of the uncanny. Children of ten and upwards will find much within this involving work to transport them.’
The Literary Review

‘The narrative is absorbing, tense and poignant, with real life challenges and concerns cleverly echoed in the magical world of Furthermoor … Furthermoor is a powerful book which addresses issues common to us all in a memorable way.’
Books for Keeps

‘Following twelve-year-old Bren who escapes the real world into an imaginary one after the loss of his sister, this dark and mesmerising novel from the author of The Memory Thieves imparts a powerful message of courage and self-confidence.’
Waterstones

Big thanks to all the kind people who’ve taken the time to read, review and shout out about Furthermoor – many of whom you’ll find in Furthermoor‘s acknowledgements and across my Twitter and Instagram posts. Support from readers, reviewers, teachers and librarians means so much to me, and frankly plays a massive part in keeping me writing. Heartfelt thanks also go to my agent, Laura Susijn; to my editor, Stephanie King; to Anna Kuptsova and Will Steele, Furthermoor‘s cover illustrator and designer; and to all at Usborne HQ – particularly Jessica Feichtlbauer and Hannah Reardon Steward, who worked so hard on Furthermoor‘s publicity campaign. A special shout out goes to the children and teens who’ve read Furthermoor and got in touch, created art or written reviews. It’s been incredible to see the book make such an impression on younger readers; it gives me hope that Furthermoor will help as many young people as it entertains. Here are a couple of examples of their amazing artwork:

During my fortnight of Furthermoor and World Book Day action, I visited a ton of schools and bookshops (special salute to The Rabbit Hole in Brigg), appeared on TV and – a personal highlight – ate an Easter egg filled with cheesecake.

On that astonishing thought, I’ll leave you with a selection of photos from my fortnight of frenzy. Until next time, stay safe and be nice.

Memory Thieves news and Furthermoor cover reveal – it’s a blog-post bonanza!

Hello, peeps. Thought I’d squeeze in a blog post before the end of the year. How the heck are we already on the cusp of Christmas?

Anyhow, I have news on not one but two books today.

Firstly, a little update on The Memory Thieves, which – since my last post – I’m chuffed to say was a Book of the Month in both the Observer and Guardian! Space for children’s books is very limited in physical newspapers, so I’m feeling blessed to have seen The Memory Thieves in both. Thank you to Kitty Empire and Imogen Russell Williams for writing such kind reviews, which you can find online here and here.

It’s not just the press that counts, of course; putting out book is all about readers, schools and libraries. So I’m pleased to report that The Memory Thieves has been longlisted for the 2022 Redbridge Children’s Book Award and – drum roll, please – nominated for the 2022 CILIP Carnegie Medal! Wowsers. I have no idea whether I’ll make the longlist, but either way, this is a huge honour for me, as the Carnegie Medal is one of the most prestigious and coveted awards in young people’s fiction. Cross your fingers and toes for me, gang!

Now for news on the second book I mentioned – which is nothing less than the cover reveal for my next novel! Feast your greedy peepers:

Isn’t this amazing? The cover was illustrated and designed by Anna Kuptsova and Will Steele, and animated by Usborne’s Penelope Mazza. Here it is in all its most glorious of glories:

And here’s the book’s blurb:

Enter a world as vast and dark as your imagination, in this unforgettable coming-of-age story about courage, friendship and finding your voice.

The real world is a hostile place for twelve-year-old Bren, his schooldays stalked by vicious bully, Shaun, and his family life fractured at home. Ever since his sister Evie died in an accident, Bren’s only safe space is Furthermoor, an imagined world of mechanised trees and clockwork animals, where Evie is still alive. In Furthermoor, no one can hurt Bren…until the mysterious Featherly arrives. Now Bren is forced to confront his deepest fears and decide if his place in the real world is worth fighting for.

Furthermoor was announced by Usborne during Anti-Bullying Week, which is incredibly apt, since bullying is one of the novel’s central themes, alongside the blurred lines between reality and imagination. Hence its dedication reads, For the wallflowers, and for those who refuse to look the other way.

Furthermoor will be released on 3 March – which just happens to be World Book Day! It’s already available on NetGalley for teachers, reviewers, librarians and anyone else keen on an early read. You can pre-order a copy from bookshop.org, your local bookshop and the usual online places.

Hey ho, that’s more than enough guff from me now. So I’ll wish you all the best for the rest of 2021, and good luck for 2022. Times are still strange, so hang in there, be nice, and be sure to lose yourself in lots of good stories.

Much love,
Darren

Publication week for The Memory Thieves

I am well and truly spent. But in the best possible way.

Last week saw the publication of my latest book, The Memory Thieves, and I’m only just starting to recover. A lot has happened, so I’ll just whizz through some selected bobbins here.

Even before publication week, things were getting pretty giddy, thanks to great reviews in The Bookseller, on NetGalley and from various book bloggers. I was also amazed to see The Memory Thieves selected as one of World Book Day’s Sizzling Summer Reads!

Things didn’t let up, with The Memory Thieves being highlighted by the likes of The Reader Teacher, Just Imagine, Love Reading for Kids, Hive, School Reading List and The Book Whisperer as a top title for August.

Not that any of this kept the jitters at bay. I thought publication would be less nerve-racking this time round, but it seems not. I suspect THE FEAR will never truly go away. But maybe that’s a good thing. As draining as it is, it’s kind of fun to ride those nervy waves of hysteria.

Anyhow, on to publication week itself, which kicked off with my first ever blog tour, organised by the good folk at Usborne Publishing.

You can drop by the tour stops, if you fancy:

Gripping reads with The Reading Realm
Review by Lily and the Fae
Q&A with Book-Bound
Talking emotions with FCBG
Exclusive chapter extract with VIP Reading
Review by Chris Soul
Review by The Book Whisperer

And if you’re a glutton for punishment, you can check out the feature published by Nottingham City of Literature to coincide with The Memory Thieves‘ release.

The Tuesday before publication found me rushing around London like a frenzied bumpkin, signing stock at indie bookshops The Children’s Bookshop, Daunt Books Hampstead and Alligator’s Mouth. It was such a treat to meet booksellers and see my book on display. And as an added bonus, while at The Children’s Bookshop, I bumped into Elle McNicoll, who just happened to be on a book tour that day too! Naturally I grabbed a signed copy of A Kind of Spark, and she kindly reciprocated with The Memory Thieves. (I finished A Kind of Spark recently, by the way, and recommend it heartily; honestly one of the best children’s books I’ve read, and well deserving of its glory and awards.)

While in London that day, I was treated to lunch by my editor and publicist, Stephanie King and Kat Javonavic; it turns out the publisher’s lunch isn’t just a myth! I also had an interview with BBC Radio Berkshire, and finished off with a very welcome pint (maybe more) with my awesome literary agent, Laura Susijn.

I’d barely got my breath back by the time publication day rolled around. That day was spent mostly manning all stations on social media while people sent congratulations and shouted about The Memory Thieves. I nipped into Nottingham indie bookshop Five Leaves to sign stock (both of Nottingham’s Waterstones have signed stock now, too), and that evening had a virtual book launch with friends, family and various peeps from the bookish community. Even though I was feeling frazzled, it was wonderful to see loved ones, industry colleagues and kidlit enthusiasts, and to toast them with some cheap fizz. And the (quite literal) icing on the cake was an actual Memory Thieves cake, which my amazing wife and sons surprised me with at the end of the night! Unbelievable. (But also very believable; that’s how my wife rolls.)

Besides a couple of virtual author events, I’ve been gradually recuperating since publication week, bracing myself for whatever comes next. There’s some great stuff in the pipeline, so follow me on Twitter or Instagram to keep up with the latest.

One final thing. I owe an immense debt to so many people who’ve championed my writing and helped me to be in this blessed, surreal position. I’d therefore like to end this post with the acknowledgements in The Memory Thieves. My thanks also go to you – yes, you – for taking an interest. You could be binge watching something now. Or having a sly nap. So thank you for being here.

Much love,
Darren

New book! Say ahoy to The Memory Thieves

To anyone who’s sick of me guffing on about Scavengers: REJOICE! For my publisher has officially announced my next book, The Memory Thieves!

Check out Usborne Publishing’s tweet below, and press play to watch a fancy-schmancy animated version of the book cover (brought to life by Usborne’s Penelope Mazza):

Here’s the actual full cover, which was illustrated and designed by the uber-talented Matt Saunders and Will Steele:

Not too shabby, eh? I love this cover. It captures the book’s atmosphere so well, and looks great next to Scavengers, which is a really big deal for me.

The Memory Thieves will be published on 5 August, and is available for pre-order from your local bookshop and the usual online places, including Bookshop.org, Hive, Waterstones and Amazon. It’ll also be available to reviewers on Netgalley from 13 May!

But what’s this book about? Are those two teens on the cover hiding from something? Why are rusted ships stranded on those dunes? Is that a whale skeleton? And what’s that strange, cuboid building in the distance?

Here’s the blurb:

What you don’t remember can’t hurt you…

Cyan has lived at the Elsewhere Sanctuary for as long as he can remember, freed by Dr Haven from dark memories of his past life. But when Cyan finds a mysterious warning carved into the bones of a whale skeleton, he starts to wonder what he had to forget to be so happy.

New resident, Jonquil, begins to resist the sanctuary’s treatment, preferring to hold on to her memories – even the bad ones. So when Dr Haven resorts to harsher measures, Cyan embarks on a secret mission to discover the truth about the sanctuary…and himself.

“Marvellously visual and gripping” – A. M. Howell

The Memory Thieves is part sci-fi, part magic realism, all edge-of-your-seat mystery adventure. And like Scavengers, it’s a little darker than the usual fare for older children. Readers so far have described it as tense, haunting, gripping, thought-provoking, creepy and adrenalin-fuelled. But there’s fun, friendship and camaraderie too.

I don’t want to say anything further about the book just yet, but will reveal more as time goes on. I’ll be back on the blog down the line, but in the meantime, feel free to follow my Twitter or Instagram accounts for tidbits of news.

Stay safe,
Darren

Scavengers turns two! (Plus recent news nuggets)

First things first. Wherever you are, whoever you are, I hope you’re well and healthy and hanging in there.

This is a quick post to share some news nuggets, the most recent being that March saw Scavengers hit its second birthday. Whoop whoop! I celebrated in style by (a) singing happy birthday to my toddling book, and (b) seeing whether I could fit an entire birthday muffin into my mouth. You can check out the results of my messy experiment here. Real classy.

Beyond blueberry gluttony, there’s other news too.

Firstly, I’m delighted to say that Scavengers has been selected as part of Empathy Lab’s 2021 #ReadForEmpathy collection! Every year, Empathy Lab recommends a collection of books designed to nurture empathy – something that’s truly vital during pandemic times – in young people. To have Scavengers‘ empathy-stirring qualities recognised in this way means a huge amount to me, and I highly recommend you check out the collection’s other brilliant titles. Here’s what Empathy Lab say about Scavengers:

“Landfill lives as a scavenger and longs to venture Outside. At the heart of this strange world is the need for connection and hope. A shocking, poignant, unforgettable blast of a read, about breaking down walls and facing fears head on.”

Next comes some particularly awesome news. Brace yourself.

If you’ve been following Scavengers, you may know about the inspiration I took from children living on landfill sites in developing countries. One landfill site I became familiar with during book research was Bantar Gebang in Indonesia. I was really moved by photos taken by Javad Tizmaghz of its scavenger community, and asked Javad for permission to use his photos in school presentations about my book. Javad was incredibly kind and gracious; he not only gave me his permission, but also offered to send a copy of Scavengers to Bantar Gebang.

Photo by Javad Tizmaghz for The Guardian

The thought of Scavengers reaching the very people who’d helped inspire it blew my mind, and before I knew it I was in contact with Resa Boenard, who runs the BGBJ hostel that does so much to support Bantar Gebang’s families. On top of that, my wonderful publisher, Usborne, offered to send a box of copies of Scavengers to Bantar Gebang’s school! Here’s one of those very copies, modelled by Resa at the landfill site:

Incredible, right? Scavengers has gone full circle and found its way to the source of its inspiration. It’s something I never would have dreamed of.

Moving quickly on (before I start welling up over the whole Bantar Gebang thing), I’m ultra-chuffed to be working with the Literacy Trust’s Read On Nottingham hub again, this time to support the Trust’s #ConnectingStories campaign. This is an Arts Council-funded initiative designed to get young people and communities engaged with books and writing, in an attempt to help children’s wellbeing and literacy in disadvantaged areas. This is more crucial now than ever due to the damage done on these fronts by the pandemic. You can find full details of this brilliant project here, and I feel honoured to be joining authors L.D. Lapinksi and William Hussey in promoting the campaign in Nottingham. We’ll be getting involved in virtual school visits and writing competitions (watch this space) and much more.

One final thing: I’d like to talk about World Book Day. It may not have been your average World Book Day this year, but it takes more than a global pandemic to quell people’s passion for books and reading. I couldn’t visit any schools in person, but I had the honour of talking books on BBC Radio Nottingham that morning, and then visiting Seely School, Eden Boys’ School and the Ashcombe School virtually to talk about Scavengers and the many joys of reading and writing. It was fantastic to see all the bookish costumes that day, and to engage with so many savvy, imaginative and enthusiastic students.

But the most emotional highlight of the day had to be seeing my eldest son dress up as Landfill from Scavengers. It was all his idea, I swear. I can’t deny that some of my son’s personality made it into Landfill’s character, so it was a strange and moving thing to see him dressed as the book’s young hero.

Here he is, with his homemade dross cape in all its grubby glory:

Again, Scavengers seems to be coming full circle. Which seems somehow apt as it hits its second birthday. Things move so quickly in children’s publishing, and I’m so pleased to see Scavengers still finding fans and popping up in all sorts of unexpected places, even two years after publication.

But enough about Scavengers, right? Can I really keep milking just one book?

Probably not. But thankfully I’ll soon have another book to harp on about. Usborne are publishing my next novel this summer, and I can’t wait to share it with you. Official news will be released this spring, so watch this space…

#SignForOurBookshops

Independent bookshops have a lot to contend with, and things are even harder for them now they’ve shut their doors for national lockdown. The fact that this has happened in the run-up to Christmas makes matters all the worse.

That’s why the awesome Holly Bourne has launched #SignForOurBookshops.

The idea is as simple as it is brilliant. In short, authors are sending bookplates (like the ones I’ve signed below, which can be stuck into books) to anyone who’s purchased their book from an independent bookshop, in an effort not only to encourage people to support local bookshops, but also to emphasise what makes indie bookshops so very special.

Over two hundred authors are already taking part (check out #SignForOurBookshops on Twitter), and I’m one of them!

So if you’d like a signed and dedicated bookplate for a copy of Scavengers (for yourself, or perhaps as a Christmas gift), make your purchase from one of the UK’s many indie bookshops (many offer online shopping via their websites or bookshop.org), then contact me with details of

  • who the bookplate should be dedicated to,
  • any preferred message from me,
  • and the address to send the bookplate to.

I’ll then respond, and when I have your indie bookshop proof of purchase, I’ll get the bookplate in the post for you.

I can only post bookplates within the UK, I’m afraid, and I’ll send out any plates requested before #SignForOurBookshops ends on 2 December. After that, bookshops will hopefully be able to open again.

It goes without saying, of course, that indie bookshops are wondrous places staffed by discerning book lovers. They offer not only a special shopping experience, but also community, discovery and expertise. Let’s show them some love.

Thank you and stay safe.

Scavengers and the Bengaluru Sustainability Forum

As always, it’s been a while since my last post. And it’s the usual excuse. Same-old same-old, I’ve been busy. Busy writing my next two books. Busy with school runs, shopping, gardening, bodge-job repairs, never-ending dadmin. Busy trying to stay sane while the world loses its mind. Busy trying to ration the worst of the news. Busy doing my best to focus on the good things – on the rays of light and the silver linings.

But enough about me. How are you? You doing okay? Wherever you are, I hope you’re coping and hanging on, and finding joy wherever you can. There’s still plenty to go round, I swear.

And talking of joy, this is a quick post to share something wonderful that happened in the summer.

When I finally got published, I naturally hoped for good things for my debut novel. I hoped for a good reception – for happy readers, positive reviews, and maybe even accolades. And Scavengers didn’t do too badly on those fronts. For that, I’m extremely grateful.

But one thing I didn’t hope for – merely because I never imagined it could happen – was for a sustainability forum in India to launch a reading initiative with my book.

That’s exactly what happened this summer. Imagine my surprise when I received an incredibly enthusiastic email from Lena, Coordinator of the Bengaluru Sustainability Forum, to say that the forum had selected Scavengers as the first book to be discussed for its Reading for Change initiative.

That’s how it all started. Before I knew it we’d arranged a live Instagram interview, which was to take place before a YouTube discussion on Scavengers in relation to waste pickers in Bangalore and the United Nations’ Sustainable Development Goal 11: Sustainable Cities and Communities.

The YouTube discussion, along with other details about the events and their lovely speakers, are all available in this ultra-handy webpage.

A drawing of Hinterland by BABAKIKI, inspired by the Reading for Change initiative

Have a gander. It’s honestly brilliant, and a real privilege to see Scavengers getting picked up as a book that ties in deeply with sustainability issues.

I won’t blabber further. You all have things to do and silver linings to find. So I’ll end with a heartfelt thank you to Lena Robra, Taanika Shankar, Lakshmi Karunakaran, Seema Mundoli, BABAKIKI art studio and all at the Champaca bookshop for playing their awesome parts in this humbling experience.

Stay safe and over and out!