Did I ever mention that I never intended to write for children? I always wrote for adults before. My early crowdfunded novel, The Dust on the Moth, is very much a novel for adults. Even Scavengers, in its primitive stages, was written for adult readers.
But life happens, right? Life conspires, even, and before you know it, you’re writing for children.
It was a happy accident. I feel chuffed to have ended up where I am. It turns out that, while there are certain “rules” to consider when writing for younger readers, there’s also a freedom that suits itself to my writing. A wide-eyed openness to ideas. A certain attitude – perhaps even a non-attitude – concerning pigeonholes.
On top of that, I’m always inspired by the children I get to meet when visiting schools and libraries. I love their bravery, enthusiasm and energy. I love how much they care. And the children’s publishing community as a whole is so supportive and kind. We’re all on the same team, working for the same cause.
But one of the best things about writing for children is their reader art. I love children’s art at the best of times, so it’s a strange and surreal bonus when it’s based on Scavengers. What a moving thing it is to see drawings inspired by something you’ve written! It’s something I’d never imagined happening – not in all the ten years I’ve been writing.
I recently received a batch of wonderful pictures from Year 6 pupils at the Iona School in Nottingham, who are reading Scavengers as their term text. Check them out:
The Iona School’s Year 6 pupils hold a very special place in my heart. I tested my first ever Scavengers presentation on them, along with my first ever workshop, and I couldn’t have asked for a keener, funnier and more enthusiastic bunch of guinea pigs. They helped to magically transmute a lot of my newbie nerves into excitement. For that I can never thank them enough.
Sincere thanks also their teacher, Maria Woolley, for staying in touch, for taking the time to send these pictures, and for simply being an awesome teacher.